The American Studies Journal is a peer-reviewed open-access journal that provides a forum for intellectual debate about all aspects of social, cultural, and political life in the United States of America. It aims to present new and challenging research in the humanities to both academic and non-academic audiences around the world.
Three elements make up the asjournal.org web presence: the American Studies Journal with its offerings of scholarly and methodological content, the ASJ Occasional Papers series as a web space for longer articles that do not fit into the thematically focused issues of the journal, and the American Studies Blog with its topical observations and comments on present-day U.S. society and culture. We hope that our American Studies bouquet appeals to experts and lay persons alike.
No. 61 (2016)
The Impact of the Internet and Social Media
on US-American Culture and Society
Edited by Hans-Jürgen Grabbe
On September 30, 2015, the American Studies Journal published its Occasional Paper No. 10, an essay by Kelly Oliver entitled “Rape as Spectator Sport and Creepshot Entertainment: Social Media and the Valorization of Lack of Consent.” Drawing attention to recent cases of rape on American college campuses, she shows how cell phones and social media have been used to prolong the humiliation of the victims, giving rise to a culture of voyeurism that no longer hides its contempt for women. Recognizing its importance, the editors of the ASJ took the unusual step to publish their first ever call for papers, inviting other contributions on the impact of the internet and social media on various aspects of US-American culture and society.
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Current OCCASIONAL PAPER
No. 12 (2017)
Fay Chong and Andrew Chinn: Asian Masters of American Art
by James W. Ellis
Fay Chong and Andrew Chinn were Asian American artists who made major contributions to the two most important movements in American art between 1930 and 1960—Regionalism and Abstract Expressionism. Today, however, art historians and the general public have largely forgotten them. Chong and Chinn worked in close collaboration during the 1930s and 1940s and invented a new watercolor style: using Chinese ink painting techniques and evocative calligraphic poetry to portray everyday subjects from the Western United States.
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Upcoming ASJ Issue
No. 62 (2017)
The Plain People: Contemporary Perspectives and Future Prospects
Edited by Maryann Henck, Maria Moss, and Sabrina Völz